关于苹果公司的执行创意总监 Hiroki Asai,有没有他的更多信息?

譬如是哪里人,在哪里长大,在哪里接受教育,进入苹果之前在哪里工作,现在在苹果公司具体负责什么工作?
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这个人太低调了,基本显示在Google的答案微乎极为。以下资料来自「Inside Apple」这本书我的整理。

加州州立理工大学学习印刷设计、他的图形设计教授Mary LaPorte评价:Asai是个非常关注细节和审美的人。

从大学毕业后,他在旧金山一个咨询公司工作、皮克斯和Apple都是他公司的客户。资料显示没有具体介绍他的公司,但从客户来看他服务的这家公司基本可以肯定事一家涉及广告和设计的咨询公司。

2001年加入Apple、并一路升到直接向Steve Jobs汇报的位置,在Apple他负责所有的Apple营销,今天我们从Apple官网上看到的那些有品味精美的的App Store Logo 、视频、产品包装、全球营销图标以及零售店都出自他和他的Team。

Asai管理着200人的Team,他们由艺术指导、作家、动画设计师、开发和设计师组成,整个组织非常与众不同,都是跨界的相互合作,人员配置非常有激情创意的一个Team。所以再回头看看Apple官网的那些产品文案相比同行水平总觉得有点与众不同,即煽情又不带一点胡乱吹牛不符产品实际特点的官腔。

关于他的形象Apple人的描述:「他看上去就像刚从大学三年级的设计课堂上走出来的。」
Alumni - Art and Design- Cal Poly
artdesign.calpoly.edu/a
Hiroki Asai (Art & Design ‘92) is Apple's Vice President and Creative Director of Graphic Design. With over 200 creatives under his supervision, his team has been responsible for all of the packaging, retail store graphics, website, on-line store, direct marketing, videos, and event graphics for Apple globally for the past decade.
His team is a combination of Art Directors, Writers, Motion Graphic designers, Developers, and Designers that are responsible for every piece of marketing communications excluding advertising. The team is unique in that it is the only one of its size that can design, produce, and engineer all of the communications work from every creative discipline all in-house.
Starting in Print Design while studying at Cal Poly, Hiroki graduated in the Art & Design department and began his career working for a variety of Graphic Design and Architecture firms in San Francisco. In 1997 he joined CKS partners with Pixar as his key account. Then in 1998 CKS became the Agency of Record for Marketing Communications for Apple, and Hiroki became Creative Director of the account. In 2001, Hiroki and a handfull of creatives moved in-house to Apple, to start what is now the Graphic Design Group.
Hiroki has received honors and awards fromID Magazine, Communication Arts, Art Directors Club, BusinessWeek, Creative Review London, Art Directors Club Japan, Cannes, and most recently the coveted Black Pencil for interactive from the D&ADin London.